Status Report, summer 2010

While I almost forget at times amidst the teaching, parenting, textbook writing, translating, and book editing--I am, in fact, a cartoonist. And sometimes I work on my comics. Here's an overview of what's cooking (slowly, at very low heat, like a succulent pork shoulder).
My Comics
Drawn Onward is a 32-page I have been working on for longer than I care to say. The date on this early sketch post will give you some idea. It was meant to be a palate cleanser but has ended up being my main project these last years, partly because it is more difficult than I had anticipated but mainly because I have had precious little time to work on personal creative (as opposed to procreative) projects these last few years.

This is a page from towards the end and it's about 90% finished.


I've posted a few times about Hiram's Pantoum, a 4-page comic derived from a repeating, interlocking poetry form. I've been working extra-methodically on this one since I am using the page below (in tight pencils, with lettering and borders inked) as a demonstration of my cartooning process for volume 2 of Drawing Words & Writing Pictures.

For another example of a pantoum comic that I reverse-engineered from a Tom Hart comic, click here.
 
The Vestibule is a new project I've described here, one of a number of relatively portable comics projects I have underway. I've drawn about 25 panels and I'm happy with the progress, even if I feel like the character designs are still evolving.

Here's a test layout as a 6-panel grid. I've tried 4 panels and 12 but I like this the best so far. It also works panel by panel, and if you've run into me recently I may have shown you a little slideshow version on my iPhone. I'll be looking into phone/e-reader platforms for this comic once I'm a bit further along. Not yet sure if it's a short story or a book length work.

Faraway Beach is an earlier attempt at a portable, sketchbook comic. I've been working on it very occasionally for a few years and only have 40 pages done. (I did a minicomic of the first 20 which you may have picked up at MoCCA Art Festival a few years back.) I follow a bunch of little rules here: 2-4 panels per page, minimal penciling with brush inking... I also have a little table of inter-combining characters, props, and locations whose appearances on a given page are determined by the toss of a 12-sided die. It's Oulipo meets John Cage via Dungeons & Dragons.

It's a loose, probably over-rambling narrative but I think it might add up to something as a whole. It also might generate enough ideas and situations (it already has, in fact) to sketch out a more rigorously structured and drawn book.

Publishing plans

Other than The Zabîme Sisters (below) I don't have any books in the pipeline (well, I do have a Brazilian edition of 99 Ways to Tell a Story: Exercises in Style underway, and I'm excited about that) but I do have some plans for the not-too-distant future:

1. A book reprinting Black Candy (1998) along with all my other major work up until about 2000.

 

1-page remix of Black Candy

2. A reprint of Odds Off (2001), probably as a digital edition. (Meanwhile, you can buy the out of print book edition on Amazon for either $65.26. or $0.01)

3. A collection, tentatively titled Six Treasures of the Spiral & Other Stories, gathering all my experimental/oubapian/constraint-based comics of the last 10 years.

Translation

I translated the late francophone cartoonist Aristophane's The Zabîme Sisters and it will be pulished by First Second Books in November. I'm very eager to hear what people think about it and I hope it becomes a perennial. First Second will be posting some preview pages soon and I will link to them here.

I have a few notions rolling around for future translation work from French and Spanish but nothing I'm ready to talk about yet...

Best American Comics 2010, 2011
We've all just finished looking through the proofs of the 2010 edition and it looks great. Guest editor Neil Gaiman is quite pleased with the results, which makes me and Jessica very happy. If you haven't seen the cover by Michael Cho yet, well, feast your eyes:

As always, it will hit the shelves in October. All four previous editions are still in print and available. Meanwhile, we are reading comics furiously for our next ultra-top-secret guest editor.

Drawing Words & Writing Pictures
Finally, Jessica and I are forging along with the as-yet-untitled second volume of Drawing Words & Writing Pictures while also blogging and maintaining the revamped website, which I hope you will all visit and send your friends to.

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When I write all of this down I suddenly feel very productive! That was actually one of my reasons for doing this: when you're in the thick of cranking out lots of slow-moving work it can be very discouraging. Comics takes a long time. And I have that from a good source: I read a quote of me saying that over at my friend Paulo Patricio's Quotes on Comics site.

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Summer Continuing Education classes at SVA

from the comic "Sweets Street" by Billy Burkert, written and drawn in my spring Storytelling class. 

Read the whole story here.

Summer is almost here and next week begins the summer session of the School of Visual Arts' Continuing Education department. I'll be teaching a Comics Seminar with Tom Hart and I'd like to draw your attention to a few other classes after the jump.

My Independent Projects Seminar: Comics with Tom Hart begins Saturday, June 12. This class is an independent study where advanced students work on a project to be defined during the first meeting: a chapter of a  graphic novel, an entire short story, a certain number of webcomics, etc. We meet for three whole Saturdays, 11-5PM, spaced out over a semester. The group energy and feedback level of this class is something to see, several students have taken it multiple times and many already know each other from previous classes together.

I'm taking a break from my other CE class, Comics Storytelling, but I have a very able replacement in Tom Hart. The class is definitely running but I think there's still some space.

If you just want to dip your toes into cartooning, Tom Motley's Cartooning Basics class is for you. He covers all the essential knowledge you need to make comics. You may have seen Tom's handsome mug gracing the MTA for the last 6 months or so...

Finally, Lauren Weinstein had a new class called Design and Build Comics which sounds really great. As I understand it, the goal is to make a comic design for a specific format (minicomic, origami, map, etc.) with the goal of exploring the interrelation of content and form and also to create a cool little art book.  She'll also be taking back the helm on the inking class.

For general inquiries about all this, check out the Continuing Ed home page.

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